Work on a Small Polyphonic Cycle in the Class of Special Piano


  • Madina Fayziyeva Associate Professor, Honored Artist of the Republic of Uzbekistan Head of the Department of Special Piano, Uzbekistan State Conservatory


prelude, fugue, polyphonic ear, imagination, personality, fantasy, artistic image, funeral procession, elegy, melody, national coloring, nuance, performer, intellect


The article is devoted to the issues of the pianist's work on one of the brightest and most original samples of the polyphonic small cycle. Prelude and Fugue No. 8 in c-moll “In Memory of Navoi” from the Piano Polyphonic Cycle 24 Preludes and Fugues by the brilliant Uzbek composer and pianist George Muschel.

The study and subsequent performance of this creation contributes to the development of the pianist's creative thinking, professional improvement, artistic and intellectual growth of the individuality. It is open to the performer the world of Uzbek piano polyphony, which characterized by bright and original national imagery.


Вахидов А.А. Стилистические особенности прелюдий и фуг Г. Мушеля. – Ташкент: Ўқитувчи, 1982;

Каримова З. Г. Навои в музыке. – Т.: Издательство литературы и искусства памяти Г. Гуляма, 1988;

Гафурбеков Т. Б. О национально-народных истоках узбекской камерно-инструментальной музыки // Музыкальная культура Узбекской ССР. – М., 1981;

Фейнберг С. Е. Мастерство пианиста. – М.: Музыка, 1978;

Бобровский В. П. Функциональные основы музыкальной формы. – М.: Музыка, 1978.




How to Cite

Fayziyeva, M. . (2023). Work on a Small Polyphonic Cycle in the Class of Special Piano. European Multidisciplinary Journal of Modern Science, 18, 68–72. Retrieved from